“We are afflicted in every way, but not crushed; perplexed, but not driven to despair; persecuted, but not forsaken; struck down, but not destroyed” (2 Corinthians 4:8–9).
There are two ways we can respond to the trials that invariably affect all of us as we go through life. We can resent them and remain forever damaged by them, or we can come out from under them and even be renewed by them. The Japanese art of kintsukuroi (“golden repair”) or kintsugi (“golden joinery”) provides a physical illustration of that choice.
According to legend, the art commenced when the Japanese shogun Ashikaga Yoshimasa sent a cracked precious Chinese tea bowl back to China to be repaired. Upon its return, the ruler was displeased to find that it had been mended by means of unsightly metal staples. Japanese craftsmen working for the shogun sought to find an alternative and more pleasing method of repair, and the art or craft of kintsukuroi was born.
Kintsukuroi means “golden repair” because the art restores broken pottery with resin mixed with powdered gold or silver so that instead of attempting to camouflage the break lines they are actually accentuated – being enhanced and beautified by the precious repair material. Thus, kintsukuroi celebrates imperfections as a valid and important aspect of damaged objects – something to be understood as part of their history rather than something to be disguised. In this way, objects that have suffered damage become not less, but more beautiful and more imbued with character.
At the spiritual level, we all have the opportunity to look at the damage we accrue, the “hits” we take in life, in the same way. We can look at them only in terms of the spiritual scars and damage done, or we can look at the trials we go through as part of a process of re-creation in which the end result is better than the original state. That is why the apostle Peter wrote: “you may have had to suffer grief in all kinds of trials. These have come so that the proven genuineness of your faith—of greater worth than gold, which perishes even though refined by fire—may result in praise, glory and honor when Jesus Christ is revealed” (1 Peter 1:6–7). Peter’s reference speaks of something far above the kintsukuroi application of gold to purely physical things, and while the process of remaking may be similar, the formative trials we endure lead to something of far greater value.
That is why the apostle James similarly wrote: “Consider it pure joy, my brothers and sisters, whenever you face trials of many kinds, because you know that the testing of your faith produces perseverance. Let perseverance finish its work so that you may be mature and complete, not lacking anything” (James 1:2–4). In fact, the word “complete” that James uses in this passage is the Greek holoklēros which means complete in all its parts and without damage or defect – like a perfectly repaired vessel that is improved by the process of repair.
In the same way, although God allows us to undergo trials in this life that may seem destructive in the short term, in the long term the master potter who formed us (Isaiah 64:8) is also the master of the golden repair. That is why we can rejoice – not in the trials that come on us, but on their outcome if we choose to let God work with and in us. And that is why, if we choose to do so, we can always say with the apostle Paul “We are afflicted in every way, but not crushed; perplexed, but not driven to despair; persecuted, but not forsaken; struck down, but not destroyed” (2 Corinthians 4:8–9).
There are two ways we can respond to the trials that invariably affect all of us as we go through life. We can resent them and remain forever damaged by them, or we can come out from under them and even be renewed by them. The Japanese art of kintsukuroi (“golden repair”) or kintsugi (“golden joinery”) provides a physical illustration of that choice.
According to legend, the art commenced when the Japanese shogun Ashikaga Yoshimasa sent a cracked precious Chinese tea bowl back to China to be repaired. Upon its return, the ruler was displeased to find that it had been mended by means of unsightly metal staples. Japanese craftsmen working for the shogun sought to find an alternative and more pleasing method of repair, and the art or craft of kintsukuroi was born.
Kintsukuroi means “golden repair” because the art restores broken pottery with resin mixed with powdered gold or silver so that instead of attempting to camouflage the break lines they are actually accentuated – being enhanced and beautified by the precious repair material. Thus, kintsukuroi celebrates imperfections as a valid and important aspect of damaged objects – something to be understood as part of their history rather than something to be disguised. In this way, objects that have suffered damage become not less, but more beautiful and more imbued with character.
At the spiritual level, we all have the opportunity to look at the damage we accrue, the “hits” we take in life, in the same way. We can look at them only in terms of the spiritual scars and damage done, or we can look at the trials we go through as part of a process of re-creation in which the end result is better than the original state. That is why the apostle Peter wrote: “you may have had to suffer grief in all kinds of trials. These have come so that the proven genuineness of your faith—of greater worth than gold, which perishes even though refined by fire—may result in praise, glory and honor when Jesus Christ is revealed” (1 Peter 1:6–7). Peter’s reference speaks of something far above the kintsukuroi application of gold to purely physical things, and while the process of remaking may be similar, the formative trials we endure lead to something of far greater value.
That is why the apostle James similarly wrote: “Consider it pure joy, my brothers and sisters, whenever you face trials of many kinds, because you know that the testing of your faith produces perseverance. Let perseverance finish its work so that you may be mature and complete, not lacking anything” (James 1:2–4). In fact, the word “complete” that James uses in this passage is the Greek holoklēros which means complete in all its parts and without damage or defect – like a perfectly repaired vessel that is improved by the process of repair.
In the same way, although God allows us to undergo trials in this life that may seem destructive in the short term, in the long term the master potter who formed us (Isaiah 64:8) is also the master of the golden repair. That is why we can rejoice – not in the trials that come on us, but on their outcome if we choose to let God work with and in us. And that is why, if we choose to do so, we can always say with the apostle Paul “We are afflicted in every way, but not crushed; perplexed, but not driven to despair; persecuted, but not forsaken; struck down, but not destroyed” (2 Corinthians 4:8–9).
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